Killadelphia #10, out now from Image Comics, is a mortifying issue of delightful violence and is one of the best issues to come out of the series so far.
About the Book:
Abigail Adams has been leading the vampires ever since her husband was killed. They recently have been responsible for the murder of the governor of Philadelphia and the famous rapper, Blake Scott. A particularly malicious vampire called Jupiter turned himself into the authorities to convert those in prison and stage a massive vampire breakout. At the same time, James Sangster Jr. and his group are doing everything they can to stop this vampire epidemic.
Killadelphia #10 Story
Rodney Barnes never fails to tell an engaging tale, especially in Killadelphia #10. The dialogue is terrific throughout the issue, whether it be comical or deeply disturbing. The backstories of characters often told in Killadelphia’s issues are another intriguing aspect of Barnes’ writing. In this issue, as in multiple other issues, we are given the backstory of a vampire. It is strange to spend so much time characterizing villains, but by doing so, Killadelphia becomes a more fleshed out world. The vampires here are not just mindless killing machines, but rather many were individuals whose lives were ruined to the point that becoming a vampire was the best way for them to get revenge. This by no means prevents the reader from seeing them as the villains, but it gives them an understanding of the characters’ actions, which prevents them from being a bland, standard monster.
These backstories also provide Barnes with the opportunity to fit more historical fiction into the series. One aspect of what made Killadelphia stand out from other modern vampire stories was the choice of former president John Adams as the main undead antagonist. This historical tie-in was a captivating scenario, and Barnes continues this after Adams’ death by introducing new vampires with ties to other important moments in American history. One such vampire is introduced in Killadelphia #10. They aren’t historical figures, but they originally lived during significant historical moments, such as the Civil War. It is a great way to keep the series’s historical fiction aspect without continuously focusing on Adams.
Jason Shawn Alexander can create stunningly, realistic characters with expressions that make them genuinely seem alive. Killadelphia #10 features more of these highly believable characters, along with intense action. These horrifically violent scenes are marvelous to look at, as Alexander’s characters have beautifully dynamic poses and depth that makes it feel as if characters are coming out of the page. This issue also contains pages with the focal point. To make these central images stand out, Alexander places smaller panels around them or even makes the characters overlap the panel borders. The center of a page is almost always an automatic focal point, so by making the center image the most important, the effect becomes even more substantial.
Luis NCT pair’s colors spectacularly with Alexander’s art in Killadelphia #10 and give a stronger impact on the violent action scenes. NCT also provides some pleasant sepia tones for flashback scenes, which works phenomenally well as delivering an older tone due to the instant association people have between the color and old photographs.
Marshall’s Dillon lettering in Killadelphia #10 fits perfectly with the art and story. Both subtle and explosive sound effects help the story feel in motion and add to the terrifying imagery it accompanies. During flashbacks, Dillon places sound effects in panels’ background when they would ordinarily be in front of everything else. This dulls the lettering’s impact, which was most likely done intentionally to help relay the fact that the flashbacks are a retelling of events and are not currently happening. This is a highly effective choice and shows off Dillon’s lettering talents.
Killadelphia #10 is one of the best issues in the series so far, and you do not want to miss it. The plot is increasingly becoming more thrilling, and Alexander’s art is exceptional (as always). The coloring and lettering bring the story to life and help provide for a highly satisfying issue.
Deadline understands that the deal is for two years.
This comes as Barnes is working with the premium cabler as a writer and executive producer on its upcoming untitled Lakers drama. He is working on the series, which stars John C. Reilly and Jason Clarke and is based on Jeff Pearlman’s book Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s.
Under the new deal, Barnes will develop, write, and produce projects via his company Rodney Barnes Productions.
This comes as he has several other high-profile projects in the works including a mini-series about the fall and comeback of controversial golf champion Tiger Woods, writing the script for an original creature feature for New Regency with Jordan Voigt-Roberts to direct and working with Levantine Films on the television adaptation of his best-selling graphic novel series Killadelphia: Sins Of The Father, which he will both write and produce.
Alongside his TV and film work, Barnes has firmly established himself in the graphic novel and comic book world with Killadelphia, which became a best-seller for Image Comics. He plans to continue to build the Killadelphia universe through new stories.
Barnes recently launched the comic studio Zombie Love Studios and publishing imprint Amazing Comics Publishing, where he has partnered with actor and rapper Xzibit to produce an untitled science fiction prestige hardcover graphic novel that will be set in South Los Angeles as well as a number of other titles.
Other television credits include Adult Swim’s The Boondocks, Starz’ American Gods and Chris Rock sitcom Everybody Hates Chris, which earned him an American Film Institute Award.
Barnes is represented by UTA, Artists First, and attorney Darrell Miller at Fox Rothschild.
The Tiger Woods scripted mini-series based on Jeff Benedict and Armen Keteyiann’s biography of the controversial golf champion, has moved a step closer to a hole in one after finding its writer and a production partner.
Rodney Barnes, who recently wrote on Hulu’s Wu-Tang: An American Saga and is penning HBO’s Untitled Lakers Project, will write the drama, while Entertainment 360, the joint venture between Management 360 and MRC Television, has teamed up with Wheelhouse Entertainment’s Spoke Studios to produce the project.
The project came after Wheelhouse Entertainment struck a partnership with Benedict, who co-wrote the book with Armen Keteyian, a former 60 Minutes correspondent.
The book, which was published in 2018 year, became a New York Times best seller and tells the story of one of the greatest career comebacks in sports history.
Published by CBS Corp-owned Simon & Schuster, the book opens with the 2009 car accident on the day after Thanskgiving that precipitated Woods’ infidelity scandal. The authors spoke to more than 250 people for the book, including other professional golfers and Woods’ longtime chiropractor Mark Lindsay.
Guymon Casady and Evan Silverberg will executive produce the new series for Entertainment 360, with Brent Montgomery and Joe Weinstock executive producing for Spoke Studios. Benedict and Keteyian also serve as executive producers.
Barnes (left), who is repped by Artists First and Fox Rothschild LLP, also has credits on Starz’ American Gods and Hulu and Marvel’s Runaways. Earlier this year, Barnes teamed up with Levantine Films, the film/TV production company behind the Gurinder Chada-directed Blinded By The Light, to adapt Killadelphia: Sins of the Father, the graphic novel that he wrote with Jason Shawn Alexander.
Eric Wattenberg, Wheelhouse Group Chief Creative Officer and President of Wheelhouse Entertainment, said, “The dream team of Entertainment 360 and writer Rodney Barnes combined with the powerful source material of the Tiger Woods biography, give this project the key elements to tackle the inspirational and complex life and career of one of the biggest names in the history of sports.”