Malik Books hosts ‘Meet and Greet’ with award-winning screenwriter Rodney Barnes Feb. 23

CULVER CITY, Calif. – Malik Books will host a meet and greet with award-winning screenwriter Rodney Barnes this Thursday, Feb. 23 at their location inside of Fox Hills Mall at 7 p.m.

CULVER CITY, Calif. – Malik Books will host a meet and greet with award-winning screenwriter Rodney Barnes this Thursday, Feb. 23 at their location inside of Fox Hills Mall at 7 p.m. Barnes was a producer and writer for the Damon Wayans show My Wife and Kids, from 2001 to 2005. He was then a co-executive producer and [...]

CULVER CITY, Calif. – Malik Books will host a meet and greet with award-winning screenwriter Rodney Barnes this Thursday, Feb. 23 at their location inside of Fox Hills Mall at 7 p.m. Barnes was a producer and writer for the Damon Wayans show My Wife and Kids, from 2001 to 2005. He was then a co-executive producer and […]© Provided by 2UrbanGirls.com
Malik Books hosts 'Meet and Greet' with award-winning screenwriter Rodney Barnes Feb. 23

Malik Books hosts ‘Meet and Greet’ with award-winning screenwriter Rodney Barnes Feb. 23© Provided by 2UrbanGirls.com

Barnes was a producer and writer for the Damon Wayans show My Wife and Kids, from 2001 to 2005. He was then a co-executive producer and writer of Chris Rock’s TV series Everybody Hates Chris, from 2005 to 2009. He was also the co-executive producer of ‘Til Death in 2010, and a consulting producer of Brothers in 2009.

After completing 4 seasons of the critically acclaimed animated comedy The Boondocks, where he served as executive producer and head writer from 2005 to 2014, he was a consulting producer on the TruTV sitcom Those Who Can’t, co-executive producer for the second season of the Comedy Central animated sitcom Legends of Chamberlain Heights and co-executive producer for the unproduced second season of Vinyl for HBO. He then served as Co-Executive producer/Writer on Hulu’s upcoming adaptation of Marvel’s Runaways. In between, he was nominated for writing special material by the Writers Guild of America for his work on the 88th Academy Awards, hosted by comedian Chris Rock.

Barnes is an executive producer and writer of the series about the Showtime-era Los Angeles Lakers, has extended his overall deal at HBO. The new pact will keep him at the premium cabler for three more years.

Under the deal, Barnes will continue on Winning Time — where he co-wrote nine of season one’s 10 episodes — while continuing to develop and produce series projects for HBO. Season two of the series is in pre-production.

70xploitation: KOLCHAK, The Night Stalker. 50th Anniversary & BLACULA, Return of the King

There is no doubt that this apparent aseptic packaging of the perversions hidden in the homes of the ‘American Gothic’ of the horror movies of the 80s is currently the most profitable nostalgia in genre multimedia content. However, there are those of us who opt for the unparalleled splendor of violence and urban filth that was the form and background of a good part of the horror cinema of the 70s.

In recent times, two outstanding works in comics resume the transcendence of cinema and TV Serie B, not only to exploit again a couple of icons, but to delve into their own mythology, and in the same way explore the codes that have made these works imperishable.

KOLCHAK, THE NIGHT STALKER. 50TH ANNIVERSARY.

Moonstone, 2002

Various Authors

Publisher: James Aquilone

The potential viewing public that makes hits out of the dozens of ‘TV’ series that swirl around the well-known platforms surely have no idea who Carl Kolchak is, and indeed shouldn’t. But we must thank the Moonstone label and the publisher James Aquilone for celebrating this character and his creators and authors, and reminding us where so many myths come from that today entertain and sustain so many viewers and storytellers.

The charm of cynical, talkative, and obsessive reporter Carl Kolchak—played by Darren McGavin, whose profile has been remarkably respected for his comic book incarnation—has marked generations since he was first seen on television half a century ago. American —and from there to dozens of countries—, with a couple of brilliant films for TV — The Night Stalker and The Night Strangler— and later with a popular series in which he continued his investigation and coverage of the strangest stories and cases that confronted him with a fabulous and bizarre catalog of supernatural entities: werewolves, zombies, demons and, among many others, vampires, of course, and not forgetting a headless biker. Events that confronted him, equally, with the disbelief of a world that was falling apart, but that has continued to not accept the external agents that conspire against him – the radical differences between Mulder and Scully are a continuation of this already seminal battle.

Constructed by the journalist Jeff Rice, and defined and enriched by the great novelist Richard Matheson for the two films that launched him and his subsequent television series, Kolchak was a character and a saga that marked and captivated an audience that has not stopped growing. , for its approach to the urban world perfectly reflected through its streets, its inhabitants and with the same fears and phobias of the spectators of one —and more— decades where the horrors of real life found a figurative nuance in the threats faced by Kolchak, and that since then have been a central part of the literature that has shaped us both in fiction and in the daily news.

Since 2002, Moonstone has been in charge of publishing a good number of miniseries and graphic novels by various authors, where the mythology of this character has continued to be built. And it is now on the 50th anniversary of the character that Kolchak, the Night Stalker has been published . 50th Anniversary, a compilation of 12 new stories spread across seven decades of the character’s journalistic work, with eloquent results in some cases.

Kolchak’s chronicle of life with the supernatural starts from his early student years and continues until the beginning of this new century and millennium, with a denouement that seems to be everything: lyrical, explosive, expected, unexpected and obvious… in a certain way.

Through the stories we see certain paradigm shifts over the years, and the white tapestry that takes over the protagonist’s hair, but the professional intention of the character and, above all, the unmistakable white hat on his head as an accentuation. from their dissonant state in the face of social disbelief, they remain intact.

Listing the catwalk of monstrosities that Karl Kolchak faces during the more than 170 comic pages of this compendium, would be to spoil a good part of the surprise that it holds; but let’s say, there are interesting variations or reworkings of classics, as well as Kolchak’s confrontation with the extraordinary in historical contexts that we know, and without forgetting the revelation of how his classic hat was made and, as already mentioned, of the shocking end of Kolchak himself.

In this type of anthology we are accustomed to finding ourselves only with entertainment, so to speak; but in this case, interesting data about his life and its outcome are revealed to us; that is to say, this series of stories value entertainment and the weight of the facts for the character in the same way.

The book includes two interesting and significant introductions, one signed by James Rice and the other by Richard Christian Matheson, both authors descendants of the initiators —along with the director and producer Dan Curtis— of this mythology half a century ago on TV; and in the case of the son of the author of “I am Legend”, he also collaborates in this book with a story, which becomes his first work for a comic. Among the outstanding list of writers assembled are Peter David ( The Incredible Hulk ), Nancy A. Collins ( Sunglasses After Dark, Swamp Thing ), Kim Newman ( Anno Dracula ), Steve Niles ( 30 Days of Night ), Rodney Barnes ( Killadelphia, Blacula Return of the King) and, among others, Aquilone himself.

And in the field of drawing, artists such as JKWoodward, Szymon Kudranski, Colton Worley, Warwick Cadwell-Johnson, Paul McCaffrey and, among others, Gabriel Hardman, who writes and illustrates, offer notable translations into drawings.

In Kolchak, the Night Stalker. 50th Anniversary we find a remarkable choir of different voices that unite talents for a single objective: to celebrate and highlight the work of Carl Kolchak, a journalist who always sought the truth… however extraordinary it may seem.

Kolchak, the Night Stalker. 50th Anniversary was produced thanks to a successful Kickstarter campaign, but for anyone who couldn’t purchase it at the time, you can do so directly here: Monstrousbooks.com .

BLACULA, RETURN OF THE KING

Zombie Love Studios

By Rodney Barnes and Jason Shawn Alexander

1972. While Carl Kolchak confronts a vampire of European blood in Las Vegas through the television screen, in a good number of movie theaters a new anti-hero emerges in the framework of blaxploitation: Blacula… indeed, a vampire for consumption of a very specific sector of moviegoers, although radicalizing the aristocratic character of the figure of the vampire towards that of African slavery.

Thus, the African prince Mamuwalde —interpreted by William Marshall— who in 1780 went to Transylvania accompanied by his wife, Luva, to ask Count Dracula on an official visit to end his slave trade, in response he was subdued and turned into a vampire by the Count himself, who condemns him to eternal life locked in a sarcophagus while he listens to his wife die and, between Dracula’s laughs, hears him baptize him with the nickname Blacula.

In just a few minutes of prologue, the film directed by William Craine, and written by Joan Torres, Raymond Koening and Richard Glounor, perfectly summarizes the historical rancor of a culture and race whose grief and courage could be symbolized by the mockery of ” King of Vampires.”

We go back to 1972, and Mamuwalde is randomly revived and causing a vampire epidemic in the streets of Los Angeles, which confronts him with his own race and without being able to put aside a curse that he has carried for centuries.

Although Blacula , the film, was largely a middling success of its time, it has been a source of reference and inspiration ever since. The writer Rodney Barnes is one of the spectators who was marked by this film experience, and today, half a century after the premiere of this work, he is making a spectacular comic book sequel, backed by the explosive illustrations of Jason Shawn Alexander.

Blacula, Return of the King thus becomes Blacula’s third resurrection (taking into account the film sequel Scream Blacula Scream , from 1975), and a new confrontation with modernity and its oldest enemy.

The streets of some neighborhoods in Los Angeles begin to bathe in blood as dozens of their inhabitants disappear. In principle it is considered that it is about settling accounts between rival gangs; However, when you paint with the name Blacula, a rumor begins to spread that an old myth that caused a bloodbath in the 70s has returned from the grave… however, Prince Mamuwalde seems to be the victim of a ploy once again. of the centennial King of Vampires.

Blacula, Return of the King , does not confront the African vampire with a world that is 200 years ahead of him, as in the first film; however, the differences between the 1970s and the second decade of the 21st century also speak of completely different ways of thinking and behavior. Blacula now, faced with a common enemy, finds allies in the descendants of his victims, and understanding a world that can be run from a cell phone can be complex.

Barnes, of course, traces very well the encounter of an ancient supernatural being with the present, and all the elements allow for the pertinent discussion of races and creeds. But, above all, the writer considers building a logical sequence in the Blacula myth, which then yields an entertaining and fun vampire story that finds a spectacular execution in the expressive strokes of Shawn Alexander, owner of a canvas of darkness and crimson where the encounter between the expressionist and the naturalist yields a perfect product for the subject, as this duo of authors have already demonstrated in their celebrated Killadelphia saga ( Image Cómics, 2021 to the present).

Normally, when a product of this nature leaves its end open, the reader mostly laments after having experienced a clear example of exploitation without rhyme or reason; In the case of Blacula, Return of the King , the open ending is appreciated and is the promise that a narrative that is due to exploitation will continue, but from the perspective offered by the passage of time, an aging that allows see aspects that were previously denied and that now, with his Zombie Love Studios label, Barnes himself promises to deliver quality exploitation works. There could not be better news.

Blacula: Return of the King

Blacula: Return of the King

Los Angeles – the City of Angels. Two souls, one is looking for vengeance and one is looking for the truth. They share one thing in common, they are both searching for the legendary vampire Blacula. Tina Thomas is a reporter for the blog Dark Knights, which chronicles ll things unnatural, uneasy, and undead. She meets a young man named Kross whose family was forever changed by the vampire. Kross asks Tina to help him kill Blacula. 

Blacula too is on a mission, he is searching for the one who forever changed his life centuries ago. His name is Count Dracula..

Available today here!

See a sneak peek of chapter 1 below!

Killadelphia

Released in the fall of 2019, Killadelphia, written by Rodney Barnes and illustrated by Jason Shawn Alexander, was met with critical success and otherworldly sales.

The story of a homicide detective turned vampire father and his estranged son, both on the hunt for former President John Adams, now a vampire seeking to remake America in the design originally set forth by the country’s Founding Fathers, features crisp political commentary and heart-wrenching family drama while providing a critique of present day America at its crossroads. Remaining true to its horror genre roots, the story ventures into commentary that speaks to our core demographic: thoughtful horror fans of all ages seeking layered stories with a poignant take on the world in which we live. There’s a complex creative math to the tone of Killadelphia that would play out in all of the stories created, published, and adapted by Zombie Love Studios.

Killadelphia—now in its second story arc, will pick up where it left off with a son trying to step into his father’s shoes and ward off the remnants of a vampire horde in the city of Philadelphia. As was the case in story arc one, story arc two will use history, present day circumstances, and a horror tale true to the essence of the genre to thrill fans and newcomers alike.

Read the first issue of Killadelphia online for FREE by clicking the button!

Elysium Gardens

Elysium Gardens

Elysium Gardens, a tale which spans a thousand years where a group of North African Moors invading Sicily are cursed by stregheria witches.

Now, wandering the Earth as werewolves when the moon goes full, they are on the hunt for what’s left of the coven in the hopes the curse can be reversed.

This brings our Moor/werewolves to Watts amidst the Black Nationalist movement on the eve of the 1965 race riots that set Los Angeles ablaze.

Crownsville

Crownsville

Founded on April 11, 1910 as the Hospital for the Negro Insane of Maryland, Crownsville Hospital Center became a place where black people were traumatized, brutalized, and used as guinea pigs for experimental and military treatments. The state run institution was closed in 2004 and this is where fact becomes fiction and our story begins. An aging reporter with stage four cancer has been given six months to live. He cares for his mother who is suffering from dementia and nearing a point where she no longer recognizes her son. Accepting the reality of both her and her son’s lack of time, she unburdens herself of a long-held secret; a crime committed against black patients at Crownsville—experiments, death, hidden bodies. Having been a nurse there, she witnessed it all, but now with her mind debilitated, she’s lost major parts of the story. She begs her son to tell the patients’ story so she can go to her grave in peace. Our reporter considers his own plight of a mundane life. He once had dreams of making it at a big paper like the New York Times or Washington Post but resigned himself to his childhood home working for his hometown newspaper. That said, in all of his time at the paper, he never had a front page story, the kind that creates careers of note. Ending his time on this mortal coil with the biggest story of his career, one that would be splashed across the front page for all to see, would make as a nice button to his life as well as fulfill his mother’s final wish. So, he agrees to investigate the story.

After some poking around the city of Annapolis, Maryland, a former slave port with a rich political history which is the major city adjacent to Crownsville, our reporter finds that few wish to discuss both the past, or any potential crimes committed at the closed hospital which is set to be demolished. Taking a chance, our reporter enters the abandoned mental hospital and immediately, the souls of the patients, now poltergeists, attack him. Terrified, he runs for the hills. But upon reflection and a few more clues given by his mother and a shot of Jack Daniels, he returns. This time, the spirits open the door to their realm, transporting him to the 1970’s when an inhuman program akin to the Tuskegee syphilis experiment—in which black men were intentionally injected with the disease to see what the effect would be to the human body over time—was being run by the hospital, literally driving the patients insane. In the past, he puts the pieces together, but in the present, his physical body is breaking down due to the cancer. This began as a sort of ego trip for our reporter, but now he’s become obsessed with revealing the truth of what happened at the hospital. The clues in the past lead him to the former director of the hospital, now in hospice himself and near death. He tells all. This leads our reporter and police to a secret, unmarked graveyard where the bodies of the former patients reside. Our reporter, nearing the end of his life, writes his story, but collapses just as he turns it in, unsure if he’ll live to see it published. But at this point it lacks the importance it once had. He solved the mystery and freed the souls imprisoned there. He goes to his mother, explaining that he did what she asked, but she no longer recognizes him. On the day his story is published on the front page, our reporter dies. On the other side of life, he is met by the patients whose story he told, freeing them from the hospital. They welcome their hero into eternity. And for the first time in his existence, he is whole.

Florence and Normandie

Florence and Normandie

Florence and Normandie, infamous as the flashpoint of the 1992 LA Riots, will find itself at the center of another seminal moment of American history: The world’s first alien invasion.

Florence and Normandie coming in August

From Zombie Love Studios comes a new tale of monsters and mayhem!

What starts on the corner of Florence and Normandie in Los Angeles now threatens to overtake the entire world! The story comes from legendary Rapper/Actor @xzibit and me, with art from @wayshak and @margalotto.

Florence & Normandie will be available in August and will be a 5 chapter graphic novel.

I don’t want to spoil too much, but subscribe below to stay up to date with announcements about the project that are coming soon.

Monarch

Monarch

Monarch is finally here!

Monarch, the story of a boy adopted by a loving foster care worker who’s raised a number of abandoned children in South Central Los Angeles over the course of her life. In this foster family, our boy finds love, care, and connection.

Things he’s never experienced and now holds dear. There’s only one problem—the boy is an alien. The last of his species, he has been tasked with finding a planet suitable for the essence of his species to repopulate.

Initially sent to Earth to gather data for an impending droid invasion, his connection to his foster family complicates his mission, creating a dilemma that will result in the demise of either his species or the people of the planet Earth.

Get your issues of Monarch by clicking the button below!

Check out a sneak peek below

Early Reviews are in!

“Monarch #1 is an impressive debut that builds a living, dangerous world with complex characters that already carry a considerable amount of personal history with them. It’s impossible not to root for Travon and you will keep turning the pages with a certain reluctance for fear of what might happen to him throughout. But turn them you shall, and you won’t want to stop. Monarch is just that good.” Read the full review here. 

 

Nita Hawes’ Nightmare Blog

Nita Hawes' Nightmare Blog

Nita Hawes’ Nightmare Blog, which exists in the same universe as Killadelphia, chronicles the story of Dawnita Hawes, an adjunct professor of parapsychology living in Baltimore, Maryland. After the tragic death of her younger brother Jason (now a supportive ghost) by random gun violence, begins the Nightmare Blog—a website where people in supernatural peril can request Nita’s assistance in solving said paranormal problems. 
 
In our first story arc which takes place over six issues, Nita investigates a series of murders by a catatonic, demon-possessed, blues singer seeking revenge against those that stole the rights to his music decades earlier. To exorcise the demon (Corson, one of the most powerful demons amongst their lot), Nita must face her fears, lack of faith, and a supernatural force that’s existed since the dawn of man.

Review: KILLADELPHIA #10 – Engaging Historical Backstories

Originally posted on MonkeysFightingRobots.co:

Killadelphia #10, out now from Image Comics, is a mortifying issue of delightful violence and is one of the best issues to come out of the series so far.

About the Book:
Abigail Adams has been leading the vampires ever since her husband was killed. They recently have been responsible for the murder of the governor of Philadelphia and the famous rapper, Blake Scott. A particularly malicious vampire called Jupiter turned himself into the authorities to convert those in prison and stage a massive vampire breakout. At the same time, James Sangster Jr. and his group are doing everything they can to stop this vampire epidemic.

Killadelphia #10 Story

Rodney Barnes never fails to tell an engaging tale, especially in Killadelphia #10. The dialogue is terrific throughout the issue, whether it be comical or deeply disturbing. The backstories of characters often told in Killadelphia’s issues are another intriguing aspect of Barnes’ writing. In this issue, as in multiple other issues, we are given the backstory of a vampire. It is strange to spend so much time characterizing villains, but by doing so, Killadelphia becomes a more fleshed out world. The vampires here are not just mindless killing machines, but rather many were individuals whose lives were ruined to the point that becoming a vampire was the best way for them to get revenge. This by no means prevents the reader from seeing them as the villains, but it gives them an understanding of the characters’ actions, which prevents them from being a bland, standard monster.

These backstories also provide Barnes with the opportunity to fit more historical fiction into the series. One aspect of what made Killadelphia stand out from other modern vampire stories was the choice of former president John Adams as the main undead antagonist. This historical tie-in was a captivating scenario, and Barnes continues this after Adams’ death by introducing new vampires with ties to other important moments in American history. One such vampire is introduced in Killadelphia #10. They aren’t historical figures, but they originally lived during significant historical moments, such as the Civil War. It is a great way to keep the series’s historical fiction aspect without continuously focusing on Adams.

Art

Jason Shawn Alexander can create stunningly, realistic characters with expressions that make them genuinely seem alive. Killadelphia #10 features more of these highly believable characters, along with intense action. These horrifically violent scenes are marvelous to look at, as Alexander’s characters have beautifully dynamic poses and depth that makes it feel as if characters are coming out of the page. This issue also contains pages with the focal point. To make these central images stand out, Alexander places smaller panels around them or even makes the characters overlap the panel borders. The center of a page is almost always an automatic focal point, so by making the center image the most important, the effect becomes even more substantial.

Luis NCT pair’s colors spectacularly with Alexander’s art in Killadelphia #10 and give a stronger impact on the violent action scenes. NCT also provides some pleasant sepia tones for flashback scenes, which works phenomenally well as delivering an older tone due to the instant association people have between the color and old photographs.

Marshall’s Dillon lettering in Killadelphia #10 fits perfectly with the art and story. Both subtle and explosive sound effects help the story feel in motion and add to the terrifying imagery it accompanies. During flashbacks, Dillon places sound effects in panels’ background when they would ordinarily be in front of everything else. This dulls the lettering’s impact, which was most likely done intentionally to help relay the fact that the flashbacks are a retelling of events and are not currently happening. This is a highly effective choice and shows off Dillon’s lettering talents.

Conclusion

Killadelphia #10 is one of the best issues in the series so far, and you do not want to miss it. The plot is increasingly becoming more thrilling, and Alexander’s art is exceptional (as always). The coloring and lettering bring the story to life and help provide for a highly satisfying issue.